A laser-cut outline strips a Audi Audi back to the one thing that makes it recognisable: its outline. That outline is what matters, and it is worth understanding before you choose a piece for the wall.
The Audi Audi pieces in our range are laser-cut from steel and delivered ready to hang, with the price stepping from $69.95 at 50 cm to $209.95 at 140 cm, a range that lets the same outline work over a desk or across a full wall.
Matching size to wall
the correct scale is the one that fills the negative space without crowding it. For the Audi Audi, a 100 cm piece suits most living-room walls; 120-140 cm suits a man cave or open plan.
The Audi Audi in every size
A note on proportion
Proportion is the quiet problem with small sizes. A detailed Audi Audi needs centimetres to keep its lines legible.
The five size steps, plainly
Every Audi Audi outline comes in the same five size steps: 50 cm, 80 cm, 100 cm, 120 cm and 140 cm. The price steps with the size, from $69.95 at the small end to $209.95 at the largest.
- 50 cm, a shelf or a study; an accent, not a feature.
- 80 cm, still modest, but reads across a doorway.
- 100 cm, the safe feature-wall default.
- 120 cm, for rooms where the car is the subject.
- 140 cm, the full statement piece.
Why this outline holds up
As a Audi shape, the Audi Audi carries a brand outline you recognise before you read a badge, which is why the outline works as wall piece.
five size steps, one outline. The Audi Audi is offered from a 50 cm shelf piece up to a 140 cm statement, all cut to the same profile.
A longer car like the Audi Audi benefits from the larger sizes, where its outline can stretch. On a 50 cm piece the same car can feel compressed; give it room and it reads correctly.
wall piece works best when it earns its place rather than filling a gap. A single well-chosen outline does more than a row of hesitant decoration.
Size to the gap, not the budget. A Audi Audi that fills the empty wall reads better than a larger one that crowds it.
Scale matters more than people expect. A piece that is too small disappears; one that is sized to the wall reads as intentional from the doorway.
A laser-cut Audi Audi keeps the exact profile view measured from the real Audi, no colour, no livery, just the line that makes it recognisable.
The AUDI is the specific car behind the Audi Audi; the outline is taken from its production profile view, so the shape is the real one.
Cut metal has a weight that printed art lacks. The shadow it casts is part of the piece, not an accident of the light.
Grouping works when the shapes contrast. A long low outline next to a tall upright one reads as a conversation, not a pile.
Metal keeps its line. Unlike paper, it will not curl, fade, or bow under a warm lamp.
The outline is the cheapest way to own the shape without owning the car.
A single strong subject is easier to live with than a wall that argues with itself.
