The DeLorean is the kind of shape people recognise instantly, which is why it works as both a road companion and a memory on the wall.
The DeLorean pieces in our range are cut from sheet metal and delivered ready to mount, with the price stepping from $69.95 at 50 cm to $209.95 at 140 cm — a range that lets the same outline work by a workstation or across a full wall.
Why it suits a garage wall
A DeLorean in cut metal belongs in the spaces cars actually live in. Over a workbench or a parked car it reads instantly.
Honest material, no colour
Because the DeLorean comes in bare cut metal, every proportion is exposed. That is harder than a photograph, and it is why a good outline feels earned.
Cars-and-coffee rituals
A DeLorean enthusiast's week has a Sunday shape: coffee, cars, and the outline that sums up the morning. The meet is the social half of the hobby.
Reading it from across the room
Up close you admire the cut; from across the room you recognise the DeLorean. The piece is designed so both readings land.
Five sizes for the memory
Every DeLorean silhouette comes in the same five sizes: 50 cm, 80 cm, 100 cm, 120 cm and 140 cm. The price steps with the size, from $69.95 to $209.95.
- 50 cm — a shelf or a study; an accent, not a feature.
- 80 cm — still modest, but reads across a doorway.
- 100 cm — the safe feature-wall default.
- 120 cm — for rooms where the car is the subject.
- 140 cm — the full statement piece.
More than one on the wall
A row of DeLorean outlines, each a different trip, turns a wall into a timeline you can read at a glance.
Build the set
Maintenance is close to nothing. A quick dust is enough; there are no frames to chip and no glass to clean.
Think in edges, not pictures. The cut defines the object, and the shape defines the cut.
Start with one. A single correct piece teaches the eye what the rest of the wall should do.
Placement is a quiet decision. Eye level for a feature wall, slightly above a desk, and well clear of a door swing that would clip it.
Lighting decides the mood. An even wash from above flatters the edge; a single hard spotlight only hardens one corner.
The right size is the one you forget to notice because it fits the wall so well.
Hang two that differ in length, not in mood, and they read as a pair rather than a repeat.
The shadow line is the second drawing. Where it falls tells you as much as the metal itself.
The best wall pieces are the ones you stop seeing as decor and start reading as a subject.
Grouping works when the shapes contrast. A long low outline next to a tall upright one reads as a conversation, not a pile.
Hang it where the light lands first. The edge you notice on the way in is the edge worth cutting.
Colour is optional here. The outline carries the identity, so the wall behind it can stay exactly as it is.
