A shape is the shortest argument for why a 812 Competizione is worth remembering. It drops the colour and the livery and keeps the shape, which is the part people actually recall.
The 812 Competizione pieces in our range are formed from sheet metal and delivered ready to mount, with the price stepping from $69.95 at 50 cm to $209.95 at 140 cm — a range that lets the same outline work above a worktop or across a full wall.
Size for the space
Size up for a shed. The 812 Competizione at 120–140 cm reads as intentional against shelving and kit, where a small piece would get lost.
- 120–140 cm for a dedicated hero wall behind or above the car.
- 80–100 cm if the wall is shared with cabinets or a window.
- Keep a consistent bottom edge if you hang more than one piece.
Where it sits on the wall
A shape earns its place above the workbench or beside the door, somewhere the eye lands before the rest of the room does. The 812 Competizione does that job well.
Keep the wall to a single strong outline so the space reads composed rather than busy.
Pieces that suit a shed wall
Lighting the outline
wall decor this shallow has nowhere to hide. Give it an even wash in the shed and the outline stays crisp from every angle you approach it.
Flat art wants soft, flat light. A 812 Competizione piece reads best under a wash from above, not a single downlight that hardens one edge.
Hang it where the light first catches it — usually the wall you face while pulling in. Seen at a slight angle, the 812 Competizione reads as a car rather than a flat shape.
A cut outline is flat, so it lives or dies by the light across it. In a shed or shed, aim for even, shadow-free light rather than a single spotlight that throws one hard edge.
A bigger shape suits a bigger room. At 120 cm or 140 cm the 812 Competizione takes the back wall without competing with the bench or the cabinets.
Light is the whole game with a thin profile. Spread it wide and soft in a shed; a tight beam turns one edge to black and flattens the rest of the line.
Garages reward the larger sizes. A 120 cm or 140 cm 812 Competizione outline fills the wall the way a poster never can, and with no colour to clash it sits comfortably next to tools and shelving.
The shadow line is the second drawing. Where it falls tells you as much as the metal itself.
Give it room to mean something. A shape left alone on a clear wall says more than the same shape lost in a crowd.
Scale matters more than people expect. A piece that is too small disappears; one that is sized to the wall reads as intentional from the doorway.
Light from the side reveals the cut; light from the front flattens it. Aim for the reveal.
A neutral wall is a gift. It lets the cut do the talking without competing colour.
Recognition is the whole point. The outline is built so the car reads before the words do.
