Most car art chases a colour, a badge or a moment. A laser-cut outline does something harder and more honest: it keeps only the stance, and asks the Rivian R1s 2 to carry its whole character in a single edge.
The Rivian R1s 2 pieces in our range are formed from sheet metal and delivered ready to mount, with the price stepping from $69.95 at 50 cm to $209.95 at 140 cm — a range that lets the same outline work above a worktop or across a full wall.
Size for the space
Size up for a shed. The Rivian R1s 2 at 120–140 cm reads as intentional against shelving and kit, where a small piece would get lost.
- 120–140 cm for a dedicated hero wall behind or above the car.
- 80–100 cm if the wall is shared with cabinets or a window.
- Keep a consistent bottom edge if you hang more than one piece.
Where it sits on the wall
Most garages have one clear hero wall — above the bench, behind the car, or on the back wall. The Rivian R1s 2 works best where you see it at an angle as you walk in.
If the space allows two pieces, the Rivian R1s 2 and the Rivian R1t make a natural pair because their outlines differ in length rather than in character.
Pieces that suit a shed wall
Lighting the outline
A cut outline is flat, so it lives or dies by the light across it. In a shed or shed, aim for even, shadow-free light rather than a single spotlight that throws one hard edge.
Why this outline holds up
As a Rivian shape, the Rivian R1s 2 carries a brand outline you recognise before you read a badge, which is why the shape works as wall decor.
A shape earns its place above the workbench or beside the door, somewhere the eye lands before the rest of the room does. The Rivian R1s 2 does that job well.
Garages reward the larger sizes. A 120 cm or 140 cm Rivian R1s 2 outline fills the wall the way a poster never can, and with no colour to clash it sits comfortably next to tools and shelving.
Flat art wants soft, flat light. A Rivian R1s 2 piece reads best under a wash from above, not a single downlight that hardens one edge.
Light is the whole game with a thin profile. Spread it wide and soft in a shed; a tight beam turns one edge to black and flattens the rest of the line.
Put the Rivian R1s 2 where it meets the eye on the way in, not head-on from a metre away. The angle is what makes the outline read as a car.
Hang two that differ in length, not in mood, and they read as a pair rather than a repeat.
A dedicated wall beats a crowded one. Give the car room and it repays the attention.
Recognition is the whole point. The outline is built so the car reads before the words do.
Maintenance is close to nothing. A quick dust is enough; there are no frames to chip and no glass to clean.
A shape travels. Move it between rooms and it still makes sense, because the shape is the message.
