Most road trips are remembered in photos that never get printed. A Radical & KTM metal profile turns the best of them into something you actually hang.
The Radical & Ktm Rxc 2014 dates to 2014, and that year's proportions are exactly what the cut outline keeps — the roofline and the stance are period-correct, not stylised.
The Radical & KTM pieces in our range are cut from sheet metal and delivered ready to mount, with the price stepping from $69.95 at 50 cm to $209.95 at 140 cm — a range that lets the same outline work above a desk or across a full wall.
More than one on the plane
A row of Radical & KTM outlines, each a different trip, turns a wall into a timeline you can read at a glance.
Build the set
Routes that suit the shape
For a Radical & KTM fan, the best drives are the ones that photograph like the outline: confident, flowing, unhurried.
Honest material, no colour
A Radical & KTM form in steel asks the line to do all the work — there is no livery, no badge colour, no gradient to lean on.
Why the outline remembers the trip
You do not remember every mile. You remember the shape, and a Radical & KTM form is that shape, kept.
Five sizes for the memory
Every Radical & KTM form comes in the same five sizes: 50 cm, 80 cm, 100 cm, 120 cm and 140 cm. The price steps with the size, from $69.95 to $209.95.
- 50 cm — a shelf or a study; an accent, not a feature.
- 80 cm — still modest, but reads across a doorway.
- 100 cm — the safe feature-wall default.
- 120 cm — for rooms where the car is the subject.
- 140 cm — the full statement piece.
Light from the side reveals the cut; light from the front flattens it. Aim for the reveal.
Piece works best when it earns its place rather than filling a gap. A single well-chosen outline does more than a row of hesitant decoration.
Placement is a quiet decision. Eye level for a feature wall, slightly above a desk, and well clear of a door swing that would clip it.
A single strong subject is easier to live with than a wall that argues with itself.
Quiet rooms suit a smaller form; loud rooms need one that can hold its own from across the space.
A neutral wall is a gift. It lets the cut do the talking without competing colour.
Scale matters more than people expect. A piece that is too small disappears; one that is sized to the plane reads as intentional from the doorway.
Think in edges, not pictures. The cut defines the object, and the shape defines the cut.
Read it from the doorway, not up close. The whole point is the gesture the line makes at a distance.
The best wall pieces are the ones you stop seeing as decor and start reading as a subject.
Grouping works when the shapes contrast. A long low outline next to a tall upright one reads as a conversation, not a pile.
A form ages better than a photograph. There is no moment to date it and no colour to fall out of fashion.
